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		<loc>https://mojankavosh.com</loc> 
		<lastmod>2026-01-20T12:56:34+00:00</lastmod>
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			<image:caption>Image 9. A Survey of Florence, Plate I: Tracing the relationship between monument, piazza, and the emergence of linear perspective. Pencil on paper (70x90cm)</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/be13a9e31ff015e652cfae853d6caf5bb45c9a001c5ecee41216fb6620c6e345/004-300dpi.png</image:loc>
			<image:caption>Image 10. A Survey of Florence, Plate II: Measured facts; the plan defines footprint and alignment, the elevation height and proportion. Pencil on paper (70x90cm)</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/b08abb1d3a18339e6b10fd3b9582411703a70be777d739773cac3cecf5c36047/005-300dpi.png</image:loc>
			<image:caption>Image 11. A Survey of Florence, Plate III: Positioning Brunelleschi’s process in formalising vision; aligning observer, subject, and panel within a fixed act of seeing. Pencil on paper (70x90cm)</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/8c539b37055a89e7018db432d25017d941f6ce4d94b35945f27879a6abe9c1f7/006-300dpi.png</image:loc>
			<image:caption>Image 12. A Survey of Florence, Plate IV: Ground depth as the new grid; vanishing point fixes horizon, compressing space into a measurable field. Pencil on paper (70x90cm)</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/6c5dc263123dbd3b098e94885977589d19d6d1446f0db7c56e3e7c9969ef7df9/250224_KAV_KSH.png</image:loc>
			<image:caption>Image 15. The Berlin Drawing Revisited: Responds to a speculative 17th-century drawing of the Spanish Steps held at the Kunstbibliothek, Berlin. Invited contribution to the Keats-Shelley House Exhibition, Rome 2025</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/aa5435cb18832f81c9cea1e2e39ae88647d0f8892113d20de9a007cea500e5ed/BSR_Open_Studios_12_24_131.jpg</image:loc>
			<image:caption>Image 7. British School at Rome, 2024. Artist studio installation, public presentation of collected works during the second month of the residency</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/aa54e242c6d76ec862f3d7236d0c243c1b38711839fe9ce32c5b85717a5732b3/IMG_2025_05_19_16_03_32_568.jpg</image:loc>
			<image:caption>Image 1. Via del Corso, Rome: The pictorial conceived as enlargable nodes within a consistent grid of measure. Sketch method Diagram</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/8926e149303d792ad91f397d15697e6c2328ce08bb462c527d040d2d39ed55bb/IMG_2025_05_21_14_21_11_424.jpg</image:loc>
			<image:caption>Image 3. Close up of itinerary guide produced during the three-month residency at the British School at Rome, mapping a route from church to church</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/0f6ee247c41621545e32ab07ceaafec842b3cfe0f3e6f4e1ba518d5c2117943c/DSCF2008.jpg</image:loc>
			<image:caption>Image 6. Extracting Nolli Map: British School at Rome Installation, 2024. Itinerary walk (1-4), compendium of Roman churches, zooming into Nolli’s map. Displayed isotropically at the same scale, the plans form a comparative mode focused on condition rather than form.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/ba2bdb540c0b9faa9ad871d981cd0d4ad0f223f246c8460885d90cb8ccd9bd36/134-plate-day-1-copy.png</image:loc>
			<image:caption>Image 4. Extracting Nolli Map: Visual record of 46 churches. Accessibility shown in black and white; numbering corresponds to Nolli’s map</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/46f41a3f90fc5b7df3b7a7cd30f28817e5942c21e1d4231a1c7c45f5d3bc3532/250522-plate-1-8_DINA4.png</image:loc>
			<image:caption>Image 8. The Nolli Map Disassembled: The Churches of Rome in Eight Days. A complete–incomplete compendium of churches in the historic centre, marking an ongoing project</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/eeda88360f58d5c3cf2c478d32f6592e17d4a5f91168ff4bff2898353e7008f3/IMG_0227.jpg</image:loc>
			<image:caption>Image 13. Rome in Bologna: Church of San Petronio in Bologna, unfinished since 1390; construction halted in 1561 when it was to exceed the scale of Old St. Peter’s in Rome.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/545afc0973858ebc5c25aba5002d5d10d4671b5abbb169e6fb47451312e4114a/2025-11-08_S.Petronio_B.jpg</image:loc>
			<image:caption>Image 14. Bologna in Rome: Petronio versus Pietro. The drawing overlays the rare original plan with another unrealised masterpiece for San Petronio: Palladio’s 1572 façade proposal. Planometric view from below. Pencil on paper (42×59cm)</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/f1c30f5373a7822f079e14df2b75d4d1dbb4a947f45151f8f5e52281a09d22b1/Screenshot-2025-11-08-at-17.55.28.png</image:loc>
			<image:caption>Image 2. Giambattista Nolli, Pianta di Roma (1748), annotation studies Nolli as an eight-day walk through Giuseppe Vasi’s guidebook (1763)</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/e62e3b9684d1d53972b72b5b61f0d7e9b6430aeb4cc904551020783fa984bd63/001-300dpi.png</image:loc>
			<image:caption>Image 5. Terra-Firma, The Churches of Rome:  Walk One Itinerary Map. Pencil on paper (250×90cm)</image:caption>
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